When I was in my early twenties, I fantasized about being a National Geographic photographer using my camera to explore the world. In my late twenties, I rediscovered architecture and built a thirty plus year career photographing both architecture and interiors for the great and the aspiring to be great. While still shooting architecture and […]
What a difference five years has made. We have come from the abyss of a disastrous recession that forced millions from their homes to an economy that is producing new homes at a record clip. While the housing recovery is spotty, across the board there is work for builders, developers and architects. Investing in […]
It has been a while since we were asked to shoot an elderly care facility, but recently we photographed two with more in the wings. I don’t think of myself as old, after all I do have college-aged children who periodically darken my doorstep and routinely call for cash, but at some point […]
Having the camera at about 5’3” off the ground is just about the perfect height for shooting architectural exteriors. That is because that height replicates our perception, the height from where the average eye sees the world. Sometimes, however, there is a need to put the camera at a higher angle. Often the requirement is […]
Tucked away on a quiet residential street in Berkeley, California is the home and studio of Audel Davis, one of America’s great craftsmen. Think Maloof, Stocksdale, Nakashima, only Davis is a coppersmith and his genre is Arts and Crafts. When one hears the phrase, images of Charles Rennie Mackintosh, Greene and Greene immediately come to […]
It is no secret to many of you that I have been both photographing and writing books on architecture and design for the last few years. My first book was California Cool: Residential Modernism Reborn, now in its second printing. Since then, I have written, photographed, produced or played a significant creative role in five […]
When I picked up the phone last winter, a rather gruff voice on the other end announced in no uncertain terms, “This is Will Bruder and I want to be in your book.” I was a bit shocked. When compiling a list of possible architects for my latest book, Rural Modern, I had come across […]
The University wanted a modern building that could meet the needs of 21st Century students and at the same time, make as small an environmental imprint as possible.
It could be that the sun just shines a little too brightly here in California and casts an undeserving shadow on good architecture in other parts of the U.S.
Ecological building has gone in and out of fashion several times since the 1960s, but Dan Smith has been singular in his approach to create buildings that leave the most minimal carbon footprint.
I was surprised to find nearly every space filled with a huge cross section of the Pierce College community doing the things necessary to keep them healthy and engaged.
In an era of “more is more,” Ruth’s work was often spare with the exception of her use of vibrant color to liven a space.
Kanner was very much an L.A. person and his designs were the embodiment of So. Cal. Culture: bright, free-spirited and populist.
Over 3000 tons of asbestos laden material was removed and major seismic x bracing added
I have to laugh a little when people get excited about “green design.”
I am a big fan of California’s community college system…