Since the early 1980s I have been fortunate to work with a handful of America’s most creative architects. Much of what they do is aspirational. I thought it might be fun to share a few projects we have photographed recently that have a marquee nature which speaks both to great design and their uniquely beautiful […]
Creating panoramas is a unique aspect of photography that has been around for a very long time. I am sure you have all seen the amazing antique photos taken in the early Twentieth Century with banquet cameras, huge plate film cameras with fitted with a rotating lens that could shoot an entire room full of […]
The Monterey Design Conference is the California Council A.I.A.’s equivalent of the TED Talks. Held every two years at the historic Asilomar Conference Grounds just south of Monterey, the conference brings together some of the world’s greatest architects, 3D artists, futurists, designers of all stripes and creative types from north and south to share a […]
There is more that goes into creating great photographs of buildings than most people realize. Some of it happens before the shoot and much after the shutter is snapped. Recently we were asked by the internationally recognized lighting designer, Paul Helms of Atlanta, to capture the work he did in conjunction with HOK on a […]
To say that the University of California, Berkeley was the center of the student movement in the 1960s is like saying Antarctica is cold. And no piece of university real estate in the United States has more history or significance than Sproul Plaza and it’s adjacent buildings. Little did the Regents or their appointed architects, […]
Spring is the time of year for national conventions and many trade shows. These conventions have become big business for their producers and frankly, I am amazed at how many companies pay the large fees and allocate huge resources to attend these events, but they do. From very small product people, to Fortune 500 corporations, […]
When I was in my early twenties, I fantasized about being a National Geographic photographer using my camera to explore the world. In my late twenties, I rediscovered architecture and built a thirty plus year career photographing both architecture and interiors for the great and the aspiring to be great. While still shooting architecture and […]
What a difference five years has made. We have come from the abyss of a disastrous recession that forced millions from their homes to an economy that is producing new homes at a record clip. While the housing recovery is spotty, across the board there is work for builders, developers and architects. Investing in […]
It has been a while since we were asked to shoot an elderly care facility, but recently we photographed two with more in the wings. I don’t think of myself as old, after all I do have college-aged children who periodically darken my doorstep and routinely call for cash, but at some point […]
Having the camera at about 5’3” off the ground is just about the perfect height for shooting architectural exteriors. That is because that height replicates our perception, the height from where the average eye sees the world. Sometimes, however, there is a need to put the camera at a higher angle. Often the requirement is […]
Tucked away on a quiet residential street in Berkeley, California is the home and studio of Audel Davis, one of America’s great craftsmen. Think Maloof, Stocksdale, Nakashima, only Davis is a coppersmith and his genre is Arts and Crafts. When one hears the phrase, images of Charles Rennie Mackintosh, Greene and Greene immediately come to […]
It is no secret to many of you that I have been both photographing and writing books on architecture and design for the last few years. My first book was California Cool: Residential Modernism Reborn, now in its second printing. Since then, I have written, photographed, produced or played a significant creative role in five […]
When I picked up the phone last winter, a rather gruff voice on the other end announced in no uncertain terms, “This is Will Bruder and I want to be in your book.” I was a bit shocked. When compiling a list of possible architects for my latest book, Rural Modern, I had come across […]
The University wanted a modern building that could meet the needs of 21st Century students and at the same time, make as small an environmental imprint as possible.
It could be that the sun just shines a little too brightly here in California and casts an undeserving shadow on good architecture in other parts of the U.S.
Ecological building has gone in and out of fashion several times since the 1960s, but Dan Smith has been singular in his approach to create buildings that leave the most minimal carbon footprint.
I was surprised to find nearly every space filled with a huge cross section of the Pierce College community doing the things necessary to keep them healthy and engaged.
In an era of “more is more,” Ruth’s work was often spare with the exception of her use of vibrant color to liven a space.
Kanner was very much an L.A. person and his designs were the embodiment of So. Cal. Culture: bright, free-spirited and populist.
Over 3000 tons of asbestos laden material was removed and major seismic x bracing added
I have to laugh a little when people get excited about “green design.”
I am a big fan of California’s community college system…